Image credit: Tony North
Stop what you’re doing. Pop the kettle on and take a moment to soak up the staggering beauty of this garden photography from around the world.
Now that most of us own a smartphone, whether we’re snapping stunning sunsets or capturing our cats in all their hilarity, we are more readily armed with the ability to take better quality pictures than ever before.
But sometimes, nothing beats spending hours waiting to take the perfect shot. The winners and finalists of this year’s International Garden Photographer of the Year (IGPOTY Competition 16) are testament to the painstaking work and love that is poured into taking world-class photos. We’ve selected some of our favourites...
Tony North’s stunning image (pictured above) called ‘Blue Tajinaste’ won the Breathing Spaces category and was crowned Overall Winner.
Taken on La Palma, part of the Canary Islands, it depicts Echium thyrsiflorum (Syn. Echium gentianoides), which is endemic to the mountains of La Palma island – from high up, there was a magnificent view of both the caldera below, and the stars above.
“In particular the image you chose has a special meaning for me,” says North. “It took an enormous amount of effort to be in that place at the right time – on top of the caldera in La Palma in the middle of the night last May – and yet more to capture and process the shots.”
Barry Webb won the Portfolios competition (run separately in association with The Royal Photographic Society) for his set of six photos titled ‘Slime Mould Biodiversity’.
Taken in Buckinghamshire, this portfolio illustrates the beauty and diversity of slime moulds.
“Their diminutive size and ephemeral nature, means that they often go unnoticed,” says Webb. “I have spent the last three years searching for and documenting these little-known organisms.
“Every image in the portfolio has used focus stacking, to show the fruiting bodies of the slime moulds.”
Though Townshend’s vision of Dante’s Inferno created from a bug hotel in his garden won the 7IM Abstract Views category, we also loved his other work, ‘Present Uncertain’, taken in Northamptonshire, which was recognised as a Finalist.
“This image symbolises the threat of climate change - the surface of a planet becoming out of control,” says Townshend. “I used in-camera multiple exposures to combine several elements in my garden.”
Taken by Caroline Piek (who won 1st Place in the Beautiful Gardens category), ‘The Stream Garden’ is in Waspik, Noord-Brabant, The Netherlands.
“The Stream Garden is an immersive naturalistic garden, designed by Noël van Mierlo of Van Mierlo Tuinen and landscaped by Totaaltuin Leende, and is shown here in all its glory in the first morning light using HDR,” she says.
“The meandering watercourse that runs through the garden is directly connected to the River Maas and is full of life such as small fish, crayfish and mussels.”
This snap was taken by Ridhima Singh (Finalist, Plants and Planet) in Skógar, Iceland.
“I photographed these attractive model turf houses, historically recreated at Skógar Museum in Iceland, which looked like houses born from the earth,” Singh says.
Claire Carter (1st Place, The Beauty of Plants) took this image in Shropshire.
Portfolio winner Barry Webb also took 2nd Place in the World of Fungi category, with this image taken in a Buckinghamshire ancient woodland.
“This interestingly shaped formation of the slime mould Stemonitis – showing its fruiting bodies, was found on a decaying log, on the woodland floor,” he says. “I focus stacked multiple images together to reveal its beauty.”
Finalist (for Trees, Woods and Forests) Timothy Burgess captured this tree on New Zealand’s South Island.
This image of heather and bracken in the New Forest, Hampshire, took 1st Place for the Wildflower Landscapes category.
“This area of heathland near Burley in the New Forest is particularly photogenic in late August, when there is an extensive carpet of heather on the gentle slopes,” says photographer Mark Bauer.
“I found a section which was broken up by bracken, just starting to turn into golden hues. A lone tree in the distance made a natural focal point, with the hills behind it receding into the light mist.
Finalist Julie Pigula captured this butterfly in the National Trust Bodnant Garden, Conwy, for the Wildlife in the Garden category.
“It was a beautiful evening in the Garden, with no wind – so it was perfect for both flower and insect photography,” Pigula says.
“There were lots of bees and a couple of butterflies still feeding off the flowers in the round bed. I was attracted to this small copper butterfly, which on the blue Eryngium flowers, posed perfectly, complementing the colour combination of the scene.
“I combined two layers together in post-processing; one sharp, and one out-of-focus.”
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